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Engineering Construction Standard Full-text Information System
Ministry of Construction of the People's Republic of China
Standards of the Ministry of Radio, Film and Television of the People's Republic of China
Cinema Building Design Code
JGJ58-88
1988Beijing
Engineering Construction Standard Full-text Information System
. Engineering Construction Standard Full-text Information System
Ministry of Construction of the People's Republic of China
Cinema Building Design Code of the Ministry of Radio, Film and Television of the People's Republic of China
JGJ58—88
Editor: China Southwest Architecture Design Institute China Film Science and Technology Research Institute
Approval Department, People's Republic of China Ministry of Construction of the People's Republic of China Ministry of Radio, Film and Television of the People's Republic of China Trial date: December 1, 1988
Engineering Construction Standard Full-text Information System
Engineering Construction Standard Full-text Information System
Notice on the promulgation of the ministerial standard "Cinema Architectural Design Code"
(88)Jianbiaozi No. 171
In accordance with the requirements of the Ministry of Urban and Rural Construction and Environmental Protection and the Ministry of Culture (83)Chengshezi No. 269, the "Cinema Architectural Design Code" compiled by China Architecture Southwest Design Institute and China Film Science and Technology Research Institute has been reviewed and approved as a two-department standard, numbered JGJ58-88, for trial implementation from December 1, 1988. If you have any questions or comments during the trial implementation, please inform China Southwest Architecture Design Institute and China Film Science and Technology Research Institute in writing.|tt||Ministry of Construction of the People's Republic of China
Ministry of Radio, Film and Television of the People's Republic of China August 9, 1988
Engineering Construction Standard Full Text Information System
Engineering Construction Standard Full Text Information System
Chapter 1
Chapter 2
Chapter 3
Site and General Plan
Viewing Hall····.
Viewpoint and Sight Distance
Section 2 Sight Line and Related Angles·
Section 3 Seats, Row Spacing and Aisles
Section Section 5
Section 6
Chapter 4
Chapter 5
Chapter 6
Section 3
Chapter 7
Section 1
Section 2
Eighth Chapter
Appendix 3
About prevention of light disturbance
Projection room
Other rooms
Entrance hall, lounge
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Office service, equipment room
Toilet…
Fire prevention and evacuation
Building equipment
Water supply and drainage·
Heating, ventilation and air conditioning.
Screen size and its relationship with the auditorium
Term explanation
Terms used in this specification************.
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Additional explanationList of the main editors, participating units and main drafters of this specification
Engineering construction standard full text information system
Engineering construction standard full text information system
Chapter 1 General
Article 1.0.1 In order to ensure that the architectural design of cinemas meets the basic requirements of safety, hygiene and functional use, this specification is specially formulated. Article 1.0.2 This specification applies to the architectural design of newly built, expanded and renovated cinemas that mainly project 35mm anamorphic, masking wide screen and ordinary screen (including stereo) films.
Other public gatherings and entertainment performance buildings that also project movies and have fixed projection equipment can refer to the relevant provisions of this specification for implementation.
Article 1.0.3 The scale of cinemas can be divided into: extra large with more than 1,201 seats;
large with 801 to 1,200 seats;
501 to 800 seats;
small with less than 500 seats.
Cinemas should be reasonably distributed and of appropriate size. When the total scale of cinemas is large, it is advisable to set up multiple auditoriums.
Article 1.0.4 The quality standards of cinemas are divided into four grades: special, A, B, and C (cross-combined with extra large, large, medium, and small). The requirements of special grade are determined according to specific circumstances. The corresponding requirements of A, VII, and C grades should comply with the following provisions: 1. Durability of the main structure: A grade is more than 100 years, B grade is 50 to 100 years, and C grade is 25 to 50 years.
Above, fire resistance grade, A and B grades should not be lower than level 2, C grade should not be lower, and there should be no extra large.
3. Audiovisual facilities: Stereo sound is recommended for Class A. The main structure of a Class A or larger auditorium should be able to play, or be rebuilt to play, 70mm films. Www.bzxZ.net
Note: For the basic civil engineering conditions for the auditorium to play 70mm films, see Appendix 1. Engineering Construction Standard Full Text Information System
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Article 1.0.5 In addition to implementing this code, the architectural design of cinemas shall also comply with the "General Principles of Civil Building Design" and relevant design standards, specifications and regulations promulgated by the state and professional departments.
Engineering Construction Standard Full Text Information System
Engineering Construction Standard Full Text Information System
Chapter II Site and Master Plan
Article 2.0.1 The site selection of cinemas shall be based on the local overall urban construction plan, reasonably arranged, and shall comply with the following provisions: 1. The main entrance of the site shall be adjacent to urban roads, squares or open spaces; 2. The road width in front of the main entrance shall not be less than the total width of the emergency exits, and shall not be less than 8m for medium and small cinemas, 12m for large cinemas, and 15m for extra-large cinemas;
3. The gathering and distribution open space in front of the main entrance shall be calculated as 0.2m2 per seat for medium and small cinemas, and the depth of large and extra-large cinemas shall not be less than 10m in addition to meeting this requirement.
The gathering and distribution open space on each main surface of a cinema with multiple auditoriums shall be calculated according to the maximum number of people actually allocated; cinemas with a total number of seats of more than 2,000 should be divided into several locations; 3. Cinemas located at intersections shall also meet the regulations on traffic sight distance in towns.
Article 2.0.2 The general layout should have clear functional zoning, pedestrian and vehicle traffic, audience flow and internal routes (process and management) should be clear and convenient, without interfering with each other, and should comply with the following provisions:
10. In the event of fire or other emergencies, the audience and staff should be able to evacuate quickly to a safe area with lighting, and provide suitable passages and venues for firefighting operations:
For cinemas on Jian Street, medium and small ones should have at least one yard of open space or passage, and large and extra-large ones should have at least two yards of open space or passages on the other sides, and their width should not be less than 3.5m;
Three , co-built and attached cinemas, except for the firewalls that separate them from the adjacent buildings into independent fire zones, the remaining air-facing parts shall still be implemented in accordance with the above paragraph. 4. Equipment rooms shall be placed in the position that least disturbs the audience, and attention shall be paid to safety, engineering construction standard full text information system
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sanitation, noise reduction, vibration reduction and convenience of equipment installation and maintenance. 5. Motor vehicle and bicycle parking lots should be set up in the master plan, or they shall be considered uniformly by urban traffic planning;
6. The master plan shall also meet the requirements of drainage, noise isolation, energy saving, etc., and greening shall be arranged according to conditions.
Engineering construction standard full text information system
Engineering construction standard full text information system
Chapter III
Auditorium
Section 1 Viewpoint and sight distance
Article 311 The design viewpoint shall be the midpoint of the lower edge of the screen. The height difference between the ground and the designed viewpoint of the first row of audience seats should not be less than 1.50m and not more than 2.50m. Article 3.1.2 The minimum viewing distance should meet the following requirements: 1. Ordinary screen: It should be 1.5 times the width of the picture and should not be less than 1.3 times. Anamorphic widescreen: When its picture height is the same as that of the ordinary screen, it should be 0.88 times the width of the widescreen picture and should not be less than 0.76 times. When its picture height is greater than the height of the ordinary screen (the focal length of the lens is equal), it should be 0.74 times the width of the widescreen picture and should not be less than 0.64 times (see Appendix II Figure 2). Note: For screen width and height, see Appendix 1, Article 3.1.3. The maximum viewing distance should comply with the following provisions: 1. Ordinary screen: It should be 5 times the screen width, and should not be greater than 6 times. The deformation method wide silver strip: When its surface height is the same as the ordinary screen height, it should not be greater than 3 times the wide screen screen width. When its screen height is greater than the ordinary screen screen height, it should be 2.50 times the wide screen screen width, and should not be greater than 3 times (see Appendix 2, Figure 2);
Main, in addition to the above calculation, it should be controlled within 36m, and the maximum value should not be greater than 40m.
Section 2 Line of sight and related angles
Section 3.2.Article 1 The horizontal oblique angle should not be less than 45° (see Appendix II Figure 2). Article 3.2.2 The upward angle should not be greater than 40° (see Appendix II Figure 3). Article 3.2.3 The height of the auditorium sight line "c" value should not be less than 0.12m per row. If conditions are limited, it can be 0.12m per row, but the middle area of the seats must be staggered at this time
Engineering Construction Standard Full Text Information System
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Section 3 Seats, Row Spacing and Aisles
Article 3.3.1 The area of each seat in the auditorium: Class A should not be less than 0.80m2, Class B should not be less than 0.70m2, and Class C should not be less than 0.60m2. Note: The area of the auditorium is calculated to the wall behind the screen. Article 3.3.2 The seats in the auditorium shall comply with the following provisions: 1. The distance between the armrests of the seats: the hard chair shall not be less than 0.48m, and the soft chair shall not be less than 0.50m. 2. The distance between the seats: the short row method hard chair shall not be less than 0.75m, and the soft chair shall not be less than 0.80m; the long row method hard chair shall not be less than 0.90m, and the soft chair shall not be less than 0.95m; the row distance of the seats in the stepped (scattered seats, floor seats) shall be appropriately increased than the above value; the row distance of the last row against the back wall shall be increased by 0.12m.
Article 3.3.3 The number of seats in each row shall comply with the following provisions: 2. The distance between the armrests of the seats: the hard chair shall not be less than 0.48m, and the soft chair shall not be less than 0.50m. 3. The distance between the seats in each row shall not be less than 0.75m, and the soft chair shall not be less than 0.80m. 4. The distance between the seats in the long row method shall not be less than 0.90m, and the soft chair shall not be less than 0.95m. 5. The distance between the seats in the stepped (scattered seats, floor seats) shall be appropriately increased than the above value; the distance between the last row against the back wall shall be increased by 0.12m. 6. The number of seats in each row shall comply with the following provisions: 7. The distance between the armrests of the seats: the hard chair shall not be less than 0.48m, and the soft chair shall not be less than 0.50m. 8. The distance between the armrests of the seats: the hard chair shall not be less than 0.75m, and the soft chair shall not be less than 0.80m. 9. The distance between the armrests of the seats Article 3.3.4 The number of rows between two transverse aisles in the short row method should not exceed 20. When there is no transverse aisle near the back wall, the number of rows between the transverse aisle in front and the back wall should not exceed 10. Article 3.3.5 The seats should be arranged in an arc or a folding line similar to an arc (small ones can be arranged in a straight line), or a combination of the two methods. The radius of curvature of the arc in the middle row of the auditorium or at 1/2 of the length of the auditorium is generally equal to the horizontal distance from the screen to the last row. Article 3.3.6 In addition to calculating the width of the auditorium aisle at 0.60m per 100 people, it should also meet the following regulations:
The net width of the middle longitudinal aisle of the short row method should not be less than 1.00m, and the net width of the side aisle should not be less than 0.80m; the passage width of the transverse aisle should not be less than 1.20m; the side aisle of the long row method should not be less than 1.20m. Article 3.3.7 The maximum slope of the sloped ground of the auditorium should not be greater than 1:6. When the slope is more than 16, a step-type floor should be used. When the reverse slope is 1.10 to 1:6, appropriate anti-slip measures should be taken, and when it exceeds 1:6, steps should be used. Engineering Construction Standard Full Text Information System
Engineering Construction Standard Full Text Information System
Section 4 Projection Angle
Article 3.4.1 The projection horizontal deflection angle should not be greater than 3° (see Appendix II Figure 2). Article 3.4.2 The projection elevation angle should not be greater than 3°, and the projection angle should not be greater than 6°; when the projection room is located above the back of the balcony, the projection depression angle can be up to 9° (see Appendix II Figure 3). Section 5 Screen
Article 3.5.1 The screen should be equipped with a sturdy metal screen frame, screen rails, a screen frame with adjustable picture, and a protective screen. Class C cinemas can simplify as needed. The distance from the midpoint of the screen arc to the wall behind the screen should generally be 1.20 to 2.00m. Article 3.5.2 The wide screen should be curved in the horizontal direction, and its radius of curvature should be equal to the projection distance. When the screen width does not exceed 8m, the screen can be flat. Article 3.5.3 The screen inclination should not be greater than ±3°. Article 3.5.4 A mirror-framed stage should not be set in front of the screen. Section 6 Prevention of Interference Light
Article 3.6.1 The screen frame, the back wall of the screen and the nearby side walls should be black or dark. The ceiling in front of the screen should be made of low-reflective cover material (if there is a stage, it should also be the same).
Article 3.6.2 When windows or vents are set above the side walls or ceiling of the auditorium, light-shielding measures should be taken.
Article 3.6.3 The upper edge of the projection beam should be less than 0.50m from the ceiling near the screen (or the lower edge of the stage). The line of sight from the last row of spectators under the balcony to the upper edge of the screen should not be less than 0.30m from the protruding part of the lower front edge of the balcony. Article 3.6.4 The entrance door and emergency exit (peace door) should be equipped with corridors or vestibules.
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Chapter 4
Article 4.0.1 The size and interior decoration materials of the auditorium shall meet the following specifications: width
, the inner surface of the auditorium shall avoid the concentration of reflected sound energy;, when there is a balcony, the ratio of the lower opening height to depth shall not be less than 1:2;
3. The volume of each seat in the auditorium shall not be less than 3.5m2 and greater than 5.5m; 4. The arrangement of sound-absorbing materials shall meet the reverberation calculation and eliminate strong reflected sound after 50ms. When stereo is set, the frontal echo of the effect speaker shall be eliminated. Note: When there is no stage mouth (or a wide stage mouth and shallow stage depth), the volume is calculated to the wall behind the screen. Article 4.0.2 The best reverberation time for a full auditorium should be 1.0±0.1s in the range of 5001000Hz. The ratio of the reverberation time of other frequencies to 500Hz should be: 125Hz
250Hfz
2000~4000Hz
When setting up stereo, the best reverberation time for a full auditorium should be 0.7±0.1s. The allowable deviation between the calculated value and the optimal value should be controlled within ±10% (the calculated frequencies are 125, 250, 500, 1000, 2000, 4000Hz). Article 4.0.3 The high-frequency speaker of the auditorium speaker group should be placed at 2/3 of the screen height. The axis of the high-frequency speaker should point to 1/2~2/3 of the auditorium. The speaker box support and body should not produce vibration noise when sounding. Article 4.0.4 The wall behind the screen must be treated with strong sound absorption. Article 4.0.5 When the projector, ventilation or air conditioning system are turned on, the noise level in the empty auditorium: Class A cinemas should not exceed 40dB (A); Class B and C cinemas should not exceed 45dB (A). When stereo is set, the noise level should not exceed 40dB (A).
Engineering Construction Standard Full Text Information System
bzSoO,co玛Article 2 The projection elevation angle should not be greater than 3°, and the projection angle should not be greater than 6°; when the projection room is located above the balcony, the projection depression angle can be up to 9° (see Appendix II Figure 3). Section 5 Screen
Article 3.5.1 The screen should be equipped with a solid metal screen frame, screen rails, a screen frame with adjustable picture and a protective screen. Class C cinemas can simplify as appropriate. The distance from the midpoint of the screen arc to the wall behind the screen should generally be 1.20 to 2.00m. Article 3.5.2 The wide screen should be arc-shaped in the horizontal direction, and its curvature radius should be equal to the projection distance. When the picture width does not exceed 8m, the screen can be flat. Article 3.5.3 The screen inclination angle should not be greater than ±3°. Article 3.5.4 A mirror frame-type stage should not be set in front of the screen. Section 6 Prevention of Interference Light
Article 3.6.1 The screen frame, the back wall of the screen and the nearby side walls should be black or dark. The ceiling in front of the screen should be made of low-reflective cladding material (if there is a stage opening).
Article 3.6.2 When windows or vents are installed on the side walls or ceiling of the auditorium, shading measures should be taken.
Article 3.6.3 The distance between the upper edge of the projection beam and the ceiling near the screen (or the lower edge of the stage opening) should be less than 0.50m. The distance between the line of sight from the last row of audience members under the balcony to the upper edge of the screen should not be less than 0.30m from the protruding part of the lower front edge of the balcony. Article 3.6.4 The entrance door and emergency exit (peace door) should be equipped with a corridor or door lobby.
Engineering Construction Standard Full Text Information System
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Chapter 4
Article 4.0.1 The size and interior decoration materials of the auditorium shall meet the following specifications: width
1. The inner surface of the auditorium shall avoid the concentration of reflected sound energy; 2. When there is a balcony, the ratio of the lower opening height to depth shall not be less than 1:2; 3. The volume of each seat in the auditorium shall not be less than 3.5m2 and greater than 5.5m; 4. The arrangement of sound-absorbing materials shall meet the reverberation calculation and eliminate strong reflected sound after 50ms. When stereo is set, the frontal echo of the effect speaker shall be eliminated. Note: When there is no stage mouth (or a wide stage mouth and shallow stage depth), the volume is calculated to the wall behind the screen. Article 4.0.2 The best reverberation time for a full auditorium should be 1.0 ± 0.1s within the range of 5001000Hz. The ratio of the reverberation time of other frequencies to 500Hz should be: 125Hz
250Hfz
2000~4000Hz
When setting up stereo, the optimal reverberation time for full seats should be 0.7±0.1s. The allowable deviation between the calculated value and the optimal value should be controlled within ±10% (the calculated frequencies are 125, 250, 500, 1000, 2000, 4000Hz). Article 4.0.3 The high-frequency speaker of the auditorium speaker group should be placed at 2/3 of the screen height. The axis of the high-frequency speaker should point to 1/2~2/3 of the auditorium. The speaker box support and body should not produce vibration noise when sounding. Article 4.0.4 The wall behind the screen must be treated with strong sound absorption. Article 4.0.5 When the projector, ventilation or air conditioning system are turned on, the noise level in the empty auditorium: Class A cinemas should not exceed 40dB (A); Class B and C cinemas should not exceed 45dB (A). When stereo is set, the noise level should not exceed 40dB (A).
Engineering Construction Standard Full Text Information System
bzSoO,co玛Article 2 The projection elevation angle should not be greater than 3°, and the projection angle should not be greater than 6°; when the projection room is located above the balcony, the projection depression angle can be up to 9° (see Appendix II Figure 3). Section 5 Screen
Article 3.5.1 The screen should be equipped with a solid metal screen frame, screen rails, a screen frame with adjustable picture and a protective screen. Class C cinemas can simplify as appropriate. The distance from the midpoint of the screen arc to the wall behind the screen should generally be 1.20 to 2.00m. Article 3.5.2 The wide screen should be arc-shaped in the horizontal direction, and its curvature radius should be equal to the projection distance. When the picture width does not exceed 8m, the screen can be flat. Article 3.5.3 The screen inclination angle should not be greater than ±3°. Article 3.5.4 A mirror frame-type stage should not be set in front of the screen. Section 6 Prevention of Interference Light
Article 3.6.1 The screen frame, the back wall of the screen and the nearby side walls should be black or dark. The ceiling in front of the screen should be made of low-reflective material (if there is a stage opening).
Article 3.6.2 When there are windows or vents on the side walls or ceiling of the auditorium, there should be shading measures.
Article 3.6.3 The distance between the upper edge of the projection beam and the ceiling near the screen (or the lower edge of the stage opening) should be less than 0.50m. The distance between the line of sight from the last row of audience members under the balcony to the upper edge of the screen should not be less than 0.30m from the protruding part of the lower front edge of the balcony. Article 3.6.4 The entrance door and emergency exit (peace door) should be equipped with a corridor or door lobby.
Engineering Construction Standard Full Text Information System
bzSos, COm Engineering Construction Standard Full Text Information System
Chapter 4
Article 4.0.1 The size and interior decoration materials of the auditorium shall meet the following specifications: width
1. The inner surface of the auditorium shall avoid the concentration of reflected sound energy; 2. When there is a balcony, the ratio of the lower opening height to depth shall not be less than 1:2; 3. The volume of each seat in the auditorium shall not be less than 3.5m2 and greater than 5.5m; 4. The arrangement of sound-absorbing materials shall meet the reverberation calculation and eliminate strong reflected sound after 50ms. When stereo is set, the frontal echo of the effect speaker shall be eliminated. Note: When there is no stage mouth (or a wide stage mouth and shallow stage depth), the volume is calculated to the wall behind the screen. Article 4.0.2 The best reverberation time for a full auditorium should be 1.0 ± 0.1s within the range of 5001000Hz. The ratio of the reverberation time of other frequencies to 500Hz should be: 125Hz
250Hfz
2000~4000Hz
When setting up stereo, the optimal reverberation time for full seats should be 0.7±0.1s. The allowable deviation between the calculated value and the optimal value should be controlled within ±10% (the calculated frequencies are 125, 250, 500, 1000, 2000, 4000Hz). Article 4.0.3 The high-frequency speaker of the auditorium speaker group should be placed at 2/3 of the screen height. The axis of the high-frequency speaker should point to 1/2~2/3 of the auditorium. The speaker box support and body should not produce vibration noise when sounding. Article 4.0.4 The wall behind the screen must be treated with strong sound absorption. Article 4.0.5 When the projector, ventilation or air conditioning system are turned on, the noise level in the empty auditorium: Class A cinemas should not exceed 40dB (A); Class B and C cinemas should not exceed 45dB (A). When stereo is set, the noise level should not exceed 40dB (A).
Engineering Construction Standard Full Text Information System
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