Content delivery and rights management—Functional requirements for identifiers and descriptors for use in the music,film,video,sound recording and publishing industries
Some standard content:
ICS01.140.20
National Standardization Guidance Technical Document of the People's Republic of China GB/Z25101-—2010/ISO/TR21449:2004 Content delivery and rights management-Functional requirements for identifiers and descriptors for use in the music, film, video, sound recording and publishing industries industries (ISO/TR21449:2004IDT)
Published on September 2, 2010
General Administration of Quality Supervision, Inspection and Quarantine of the People's Republic of China Standardization Administration of the People's Republic of China
Implemented on December 1, 2010
Conceptual Business Architecture
Information Architecture
Attributes and Relationships
User Transactions·
Appendix A (Normative Appendix)||t t||References
Entity attributes and relationship tables
GB/Z251012010/ISO/TR21449:2004N
GB/Z25101—2010/IS0/TR21449:2004This guidance technical document is equivalent to ISO/TR21449:2004 "Functional requirements for identifiers and descriptors for music, film, video, recording and publishing industries for content delivery and rights management". This guidance technical document is proposed and coordinated by the National Technical Committee for Information and Documentation Standardization. The main drafting units of this guidance technical document are: Tsinghua University, National Library, China National Institute of Standardization, New Technology and Copyright Protection Committee of China Copyright Association, Editorial Office of CCTV, Book and Audio-visual Archives of China National Radio, Communication Technology Bureau of Xinhua News Agency, and Cultural Market Development Center of the Ministry of Culture.
The main drafters of this guidance technical document are: Xiao Yan, Fu Ping, Cheng Zhen, Li Huawei, Liu Zhiting, Tian Shengli, Shi Cun, Peng Ming, Wu Guowei, Yuan Li, Luo Hongtao.
GB/Z25101—2010/ISO/TR21449:2004 Introduction
In recent years, the development and progress of digital technology has led to major changes in the music, film, video, recording and publishing industries. In the network environment, as "content" industries, they are actively developing and using new technologies for information creation, storage and communication in order to adapt the traditional creation and distribution models to the development of the times. At the same time, with the adjustment of the industry, other industries (such as information/communication, etc.) are also entering the above fields. In the publishing and recording industries, identifiers used to describe traditional works have been used for decades. As digital content shifts to network delivery, there is an increasing need for efficient and reliable methods to identify products and the intellectual property rights contained therein. In the expanding "content" industry, as an element of the new multimedia infrastructure, the standardization of the identification and description of digital products has become an important means to support cross-sector, global content-related e-commerce transactions. This has not only created a demand for an expanded range of identifiers, but also put forward new requirements for the functions of identifiers, with integrity, applicability, scalability, flexibility and interoperability becoming the focus of consideration in order to track digital products throughout their life cycle and across multiple transactions in the supply chain. From a business perspective, the identification and description of digital products, as key elements of infrastructure, will form an integral part of existing technologies in the network environment, which support efficient business transactions and protect business rights and interests. From an operational perspective, the standardized design and application of digital product identification and description are of key significance to support the activities of the entire supply chain, from content creation and production to product distribution and usage tracking. To be fully effective in a multimedia environment, digital product identifiers and descriptions must have a full range of functions. Not only can they distinguish between products and property, and be applicable to multiple levels of aggregation and decomposition, they must also function in a multi-level and cross-sector environment that requires five operations. This technical guidance document aims to provide a shared reference framework for the content industry to describe the characteristics of business activities and information processing transactions in the production, distribution and rights management process, and to provide a structured description of requirements in order to provide guidance for the application development of identification and description solutions that support the above functions.
This technical guidance document is developed to meet the needs of my country's publishing industry in its transformation from traditional publishing to digital publishing. In view of the rapid development of technology in this field, it is not appropriate to strictly define it in the form of a standard before it is finalized. N
1 Scope
Architecture321---Standard Query Downloaddown.iz321.netGB/Z25101-2010/ISO/TR21449:2004 Functional requirements for identifiers and
descriptors for content delivery and rights management in the music, film, video, recording and publishing industries
This technical guidance document outlines a business and information architecture developed specifically for the management of knowledge content and product certification and description solutions.
This technical guidance document focuses on the business transactions related to production, distribution and rights management within and between the content industries (i.e., music, film, video, recording and publishing industries). It is intended for creators, producers, distributors, registration authorities and rights managers involved in the development and delivery of intellectual and artistic content to understand the relationship between their organizations and other content industries involved in production, distribution and rights management. The information model proposed in this technical guidance document does not reflect business functions such as marketing and archival management, nor does it reflect the business activities between secondary service providers such as libraries, archives or museums. 2 Methodology
The functional requirements analysis of identifiers and descriptors for content industry applications is carried out from the following four aspects. Part I: Definition of the conceptual business architecture. This architecture defines the functions performed by individuals and organizations involved in the production, distribution and rights management of intellectual or artistic content, and emphasizes the important business relationships between the various functions. The conceptual business architecture provides a view of the business environment and is intended to assist organizations responsible for developing and managing identification and description schemes for intellectual content and works to understand the relationship between their organizations and other content industries involved in production, distribution and rights management. The details of the conceptual business architecture are presented in Chapter 4. Part II: Defining the Information Architecture. This architecture provides definitions and structured representations of the key entities involved in each business function (i.e., objects, agents, activities, events, etc.) and the main relationships between entities. The details of the information architecture are presented in Chapter 5. Part III: Identify and define the attributes and relationships associated with each entity identified in the information architecture. The details of the attribute and relationship definitions are presented in Appendix A.
Part IV: Define a Common Set of User Transactions. A diagram is drawn of the attributes and relationships of the above transactions associated with the three entities that the information architecture focuses on (content, products, and property). The purpose of drawing the transaction attribute and relationship diagrams is to lay the foundation for defining a common set of descriptors required for content, product, and property registration. The definition of user transactions and their diagrams are presented in Chapter 7. 3 Legend
This guidance document uses some graphic symbols in the specific description of business architecture and information model. Their meanings are as follows: Conceptual business architecture (used in Figure 1)
Circles represent the functions performed by individuals or organizations in the overall operational context of production, distribution and rights management. The straight lines and arrows between the circles represent the transactions between individuals and organizations performing the specified functions. The less relevant transactions are represented by dotted arrows
GB/Z25101—2010/IS0/TR21449:2004 Information Model (used in Figures 2, 3, and 4) Rectangles represent entities (e.g., objects, agents, activities, events, etc.) about which information is needed to support business functions within or between industries Lines and arrows connecting rectangles represent relationships between specified entities A dashed rectangle encircling a group of two or more entities; arrows connected to dotted lines represent relationships that apply to any or all entities within the rectangles The dashed tail arrows serve as page connectors, providing a convenient means of linking an entity to all related entities represented by the figure referenced by the dashed tail arrows
Conceptual Business Architecture
The conceptual business architecture described in Figure 1 is used to define the functions performed by individuals and organizations in the production, distribution, and rights management of intellectual or artistic content, and to emphasize the key business relationships between these functions. The architecture outlined here provides an observation of the business environment and is intended to assist organizations responsible for developing identification and description schemes for managing intellectual content and products in understanding their relationships with other content industries involved in production, distribution, and rights management. This technical guidance document does not exclude the possibility of different views of the same business environment, nor does it exclude conceptual business architectures designed for other purposes. The diagram in this section describes nine different business functions (each function is defined in Table 1). Business functions represent the responsibilities performed by individuals and organizations in a business environment. Any individual or organization may perform more than one specified function or responsibility. Multiple functions can be performed simultaneously in parallel or sequentially. The items described in the diagram reflect the business behavior between individuals and organizations in the process of performing the specified functional responsibilities, and reflect the relevant matters in the content production, distribution and rights management environment within and between related industries. However, in order to enable further analysis of functional requirements, a distinction is also made between primary and secondary related matters from the perspective of content and product registration service providers. Secondary related matters include those matters that are currently separated from the normal business model related to content production, distribution and rights management, and those matters that have no direct dependency on the services or information provided by the registration authority. Jianling 321
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Architecture 321---Standard Query Downloaddown.jz321.netGB/Z25101—2010/IS0/TR21449:2004 Content
Transaction Informationbzxz.net
Registration Information
Issuer Authentication
Issuer Authentication Request
User Authentication
Consumer/
Issuer Authentication
Content/
Product Registration
Property Information
User Authentication
Content Information
Registration Information
Registration Information
Internal Customer/Authorization
Transaction Information
Internal Customer/Authorization||t t||Work information
Content/authorization
Figure 1 Conceptual business architecture for content delivery and rights management Value
Content/authorization
GB/Z25101—2010/ISO/TR21449:2004 Conceptual business architecture—Definition of responsibilities
Table 1 Gui
Original content
Holding rights
Customer/product registration
Content provision
Usage monitoring
Rights management
Consumer/publisher authentication
Content distribution
Content consumption
5 Information architecture
The creation, expression or production of intellectual or artistic content. Includes: the creation of content by writers, composers, artists (such as authors of literary, musical and artistic works, and film and video producers (such as authors of audiovisual works), the expression of content by performers, and the production of content by recording companies (such as producers of phonograms) and broadcasters (such as producers of broadcast signals).
One or more property ownership rights granted by law. Including the ownership of the first owner (author, producer, performer, etc.), the ownership of the legal trustee, assignee, successor. Registration of content, products or property. Including registration by authoritative institutions and agencies. These institutions are responsible for monographs and Registration of serials, literary, musical, artistic and audiovisual works, phonograms and broadcast signals
Production and publication of products. Including the production and publication of products by publishers, film producers, TV and frequency producers, multimedia producers, etc.
Monitoring of the distribution and use of products. Including monitoring the distribution of monographs and serials, phonograms, films, audiovisual works and multimedia works
Management of intellectual property rights by owners or their agents. Including direct management of rights by owners and authorities on behalf of agents, enforcers, publishers, film producers and collective management organizations, as well as by Management of rights by legally established boards and councils on behalf of the owners Certification or authentication of consumers or distributors of products, including authentication or authentication of distributors and consumers of monographs and serials, phonograms, films, videos and multimedia products Distribution of products, including distribution of publications, phonograms, films, videos and multimedia products Consumption of intellectual or artistic content. Including the use of monographs and serials, phonograms, films, videos and multimedia products by consumers through purchase, licensing, etc. The information architecture for content delivery and rights management is described by a set of three interconnected entity-relationship diagrams (Figure 2, Figures 3 and 4). Each diagram focuses on a major business function: rights management (Figure 2), content production (Figure 3), and content distribution (Figure 4). The entity-relationship diagram provides a structured representation of the key entities involved in each business function (such as objects, agents, activities, events, etc.) and the main relationships between these entities. Each diagram is accompanied by a table that defines the entities described in the diagram. The legal framework for intellectual property management described in Figure 2 is based on the analysis of four key documents: the Berne Convention, the Rome Convention, the WIPO Copyright Treaty, and the WIPO Performances and Phonograms Treaty. These documents reflect international agreements on intellectual property and are used as the basis for copyright and neighboring rights legislation in more than 140 countries around the world. Figure 2 focuses on the property that constitutes the legal framework for intellectual property management (i.e., works, performances, phonograms, broadcast signals, etc.) and its direct and indirect relationships with different objects, agents, activities, events, etc. Table 2 defines the entities that appear in Figure 2. Figure 3 centers on the products (i.e., publications, sound recordings, films, videos, etc.) throughout the content delivery production cycle and their direct and indirect relationships with various objects, agents, activities, and events. Table 3 defines the entities that appear in Figure 3. Figure 4 centers on the products throughout the content delivery distribution cycle and emphasizes the direct and indirect relationships between the products and various objects, agents, activities, and events. Table 4 defines the entities that appear in Figure 4. Although separate entity-relationship diagrams have been presented for each business function (rights management, production, and distribution), the three diagrams can be connected through the property, product, authorization, and use entities. Therefore, each diagram can be viewed as part of a larger diagram that represents the overall information architecture for content delivery and rights management.
准查询下裁网
建筑321---标准查询下载down.jz321.netGB/Z25101—2010/IS0/TR21449:2004Similarly, the diagrams describing the information architecture are directly related to the conceptual business architecture (Figure 1). Each agent entity (originator, owner, agent, competent authority, user, producer, creator, registration authority, issuer, regulatory service agency, certification authority, consumer) indicated in Figures 2, 3, and 4 corresponds to the business functions described in Figure 1. Figure 2 Legal framework for intellectual property management and protection GB/Z25101-2010/IS0/TR21449.2004 Figure 3 Production cycle of content delivery Standard query download down.jz321.net GB/Z25101—2010/ISO/TR21449:2004 Figure 4 Distribution cycle of content delivery2004Figure
4Content delivery release cycle2004Figure
4Content delivery release cycle2004 Content
Transaction Information
Registration Information
Issuer Authentication
Issuer Authentication Request
User Authentication
Consumer/
Issuer Authentication
Content/
Product Registration
Property Information
User Authentication
Content Information
Registration Information
Registration Information
Internal Customer/Authorization
Transaction Information
Internal Customer/Authorization
Work Information
Content/Authorization
Figure 1 Content Delivery and Conceptual business architecture value of rights management
Content/authorization
GB/Z25101—2010/ISO/TR21449:2004 Conceptual business architecture—Definition of responsibilities
Table 1 Gui
Original content
Holding rights
Customer/product registration
Content provision
Usage monitoring
Rights management
Consumer/publisher authentication
Content distribution
Content consumption
5 Information architecture
Creation, expression or production of intellectual or artistic content. Includes: the creation of content by writers, composers, artists (such as authors of literary, musical and artistic works, and film and video producers (such as authors of audiovisual works), the expression of content by performers, and the production of content by recording companies (such as producers of phonograms) and broadcasters (such as producers of broadcast signals).
One or more property ownership rights granted by law. Including the ownership of the first owner (author, producer, performer, etc.), the ownership of the legal trustee, assignee, successor. Registration of content, products or property. Including registration by authoritative institutions and agencies. These institutions are responsible for monographs and Registration of serials, literary, musical, artistic and audiovisual works, phonograms and broadcast signals
Production and publication of products. Including the production and publication of products by publishers, film producers, TV and frequency producers, multimedia producers, etc.
Monitoring of the distribution and use of products. Including monitoring the distribution of monographs and serials, phonograms, films, audiovisual works and multimedia works
Management of intellectual property rights by owners or their agents. Including direct management of rights by owners and authorities on behalf of agents, enforcers, publishers, film producers and collective management organizations, as well as by Management of rights by legally established boards and councils on behalf of the owners Certification or authentication of consumers or distributors of products, including authentication or authentication of distributors and consumers of monographs and serials, phonograms, films, videos and multimedia products Distribution of products, including distribution of publications, phonograms, films, videos and multimedia products Consumption of intellectual or artistic content. Including the use of monographs and serials, phonograms, films, videos and multimedia products by consumers through purchase, licensing, etc. The information architecture for content delivery and rights management is described by a set of three interconnected entity-relationship diagrams (Figure 2, Figures 3 and 4). Each diagram focuses on a major business function: rights management (Figure 2), content production (Figure 3), and content distribution (Figure 4). The entity-relationship diagram provides a structured representation of the key entities involved in each business function (such as objects, agents, activities, events, etc.) and the main relationships between these entities. Each diagram is accompanied by a table that defines the entities described in the diagram. The legal framework for intellectual property management described in Figure 2 is based on the analysis of four key documents: the Berne Convention, the Rome Convention, the WIPO Copyright Treaty, and the WIPO Performances and Phonograms Treaty. These documents reflect international agreements on intellectual property and are used as the basis for copyright and neighboring rights legislation in more than 140 countries around the world. Figure 2 focuses on the property that constitutes the legal framework for intellectual property management (i.e., works, performances, phonograms, broadcast signals, etc.) and its direct and indirect relationships with different objects, agents, activities, events, etc. Table 2 defines the entities that appear in Figure 2. Figure 3 centers on the products (i.e., publications, sound recordings, films, videos, etc.) throughout the content delivery production cycle and their direct and indirect relationships with various objects, agents, activities, and events. Table 3 defines the entities that appear in Figure 3. Figure 4 centers on the products throughout the content delivery distribution cycle and emphasizes the direct and indirect relationships between the products and various objects, agents, activities, and events. Table 4 defines the entities that appear in Figure 4. Although separate entity-relationship diagrams have been presented for each business function (rights management, production, and distribution), the three diagrams can be connected through the property, product, authorization, and use entities. Therefore, each diagram can be viewed as part of a larger diagram that represents the overall information architecture for content delivery and rights management.
准查询下裁网
建筑321---标准查询下载down.jz321.netGB/Z25101—2010/IS0/TR21449:2004Similarly, the diagrams describing the information architecture are directly related to the conceptual business architecture (Figure 1). Each of the agent entities (originator, owner, agent, competent authority, user, producer, creator, registration authority, issuer, regulatory service agency, certification authority, consumer) indicated in Figures 2, 3, and 4 corresponds to the business functions described in Figure 1. Figure 2 Legal framework for intellectual property management and protection GB/Z25101-2010/IS0/TR21449.2004 Figure 3 Production cycle of content delivery Standard query download down.jz321.net GB/Z25101—2010/ISO/TR21449:2004 Figure 4 Distribution cycle of content delivery2004 Content
Transaction Information
Registration Information
Issuer Authentication
Issuer Authentication Request
User Authentication
Consumer/
Issuer Authentication
Content/
Product Registration
Property Information
User Authentication
Content Information
Registration Information
Registration Information
Internal Customer/Authorization
Transaction Information
Internal Customer/Authorization
Work Information
Content/Authorization
Figure 1 Content Delivery and Conceptual business architecture value of rights management
Content/authorization
GB/Z25101—2010/ISO/TR21449:2004 Conceptual business architecture—Definition of responsibilities
Table 1 Gui
Original content
Holding rights
Customer/product registration
Content provision
Usage monitoring
Rights management
Consumer/publisher authentication
Content distribution
Content consumption
5 Information architecture
Creation, expression or production of intellectual or artistic content. Includes: the creation of content by writers, composers, artists (such as authors of literary, musical and artistic works, and film and video producers (such as authors of audiovisual works), the expression of content by performers, and the production of content by recording companies (such as producers of phonograms) and broadcasters (such as producers of broadcast signals).
One or more property ownership rights granted by law. Including the ownership of the first owner (author, producer, performer, etc.), the ownership of the legal trustee, assignee, successor. Registration of content, products or property. Including registration by authoritative institutions and agencies. These institutions are responsible for monographs and Registration of serials, literary, musical, artistic and audiovisual works, phonograms and broadcast signals
Production and publication of products. Including the production and publication of products by publishers, film producers, TV and frequency producers, multimedia producers, etc.
Monitoring of the distribution and use of products. Including monitoring the distribution of monographs and serials, phonograms, films, audiovisual works and multimedia works
Management of intellectual property rights by owners or their agents. Including direct management of rights by owners and authorities on behalf of agents, enforcers, publishers, film producers and collective management organizations, as well as by Management of rights by legally established boards and councils on behalf of the owners Certification or authentication of consumers or distributors of products, including authentication or authentication of distributors and consumers of monographs and serials, phonograms, films, videos and multimedia products Distribution of products, including distribution of publications, phonograms, films, videos and multimedia products Consumption of intellectual or artistic content. Including the use of monographs and serials, phonograms, films, videos and multimedia products by consumers through purchase, licensing, etc. The information architecture for content delivery and rights management is described by a set of three interconnected entity-relationship diagrams (Figure 2, Figures 3 and 4). Each diagram focuses on a major business function: rights management (Figure 2), content production (Figure 3), and content distribution (Figure 4). The entity-relationship diagram provides a structured representation of the key entities involved in each business function (such as objects, agents, activities, events, etc.) and the main relationships between these entities. Each diagram is accompanied by a table that defines the entities described in the diagram. The legal framework for intellectual property management described in Figure 2 is based on the analysis of four key documents: the Berne Convention, the Rome Convention, the WIPO Copyright Treaty, and the WIPO Performances and Phonograms Treaty. These documents reflect international agreements on intellectual property and are used as the basis for copyright and neighboring rights legislation in more than 140 countries around the world. Figure 2 focuses on the property that constitutes the legal framework for intellectual property management (i.e., works, performances, phonograms, broadcast signals, etc.) and its direct and indirect relationships with different objects, agents, activities, events, etc. Table 2 defines the entities that appear in Figure 2. Figure 3 centers on the products (i.e., publications, sound recordings, films, videos, etc.) throughout the content delivery production cycle and their direct and indirect relationships with various objects, agents, activities, and events. Table 3 defines the entities that appear in Figure 3. Figure 4 centers on the products throughout the content delivery distribution cycle and emphasizes the direct and indirect relationships between the products and various objects, agents, activities, and events. Table 4 defines the entities that appear in Figure 4. Although separate entity-relationship diagrams have been presented for each business function (rights management, production, and distribution), the three diagrams can be connected through the property, product, authorization, and use entities. Therefore, each diagram can be viewed as part of a larger diagram that represents the overall information architecture for content delivery and rights management.
准查询下裁网
建筑321---标准查询下载down.jz321.netGB/Z25101—2010/IS0/TR21449:2004Similarly, the diagrams describing the information architecture are directly related to the conceptual business architecture (Figure 1). Each agent entity (originator, owner, agent, competent authority, user, producer, creator, registration authority, issuer, regulatory service agency, certification authority, consumer) indicated in Figures 2, 3, and 4 corresponds to the business functions described in Figure 1. Figure 2 Legal framework for intellectual property management and protection GB/Z25101-2010/IS0/TR21449.2004 Figure 3 Production cycle of content delivery Standard query download down.jz321.net GB/Z25101—2010/ISO/TR21449:2004 Figure 4 Distribution cycle of content delivery2004 Conceptual Business Architecture - Responsibility Definition
Table 1 Gui
Original content
Rights holding
Customer/product registration
Content provision
Usage monitoring
Rights management
Consumer/publisher authentication
Content distribution
Content consumption
5 Information architecture
Creation, expression or production of intellectual or artistic content. Includes: the creation of content by writers, composers, artists (such as authors of literary, musical and artistic works, and film and video producers (such as authors of audiovisual works), the expression of content by performers, and the production of content by recording companies (such as producers of phonograms) and broadcasters (such as producers of broadcast signals).
One or more property ownership rights granted by law. Including the ownership of the first owner (author, producer, performer, etc.), the ownership of the legal trustee, assignee, successor. Registration of content, products or property. Including registration by authoritative institutions and agencies. These institutions are responsible for monographs and Registration of serials, literary, musical, artistic and audiovisual works, phonograms and broadcast signals
Production and publication of products. Including the production and publication of products by publishers, film producers, TV and frequency producers, multimedia producers, etc.
Monitoring of the distribution and use of products. Including monitoring the distribution of monographs and serials, phonograms, films, audiovisual works and multimedia works
Management of intellectual property rights by owners or their agents. Including direct management of rights by owners and authorities on behalf of agents, enforcers, publishers, film producers and collective management organizations, as well as by Management of rights by legally established boards and councils on behalf of the owners Certification or authentication of consumers or distributors of products, including authentication or authentication of distributors and consumers of monographs and serials, phonograms, films, videos and multimedia products Distribution of products, including distribution of publications, phonograms, films, videos and multimedia products Consumption of intellectual or artistic content. Including the use of monographs and serials, phonograms, films, videos and multimedia products by consumers through purchase, licensing, etc. The information architecture for content delivery and rights management is described by a set of three interconnected entity-relationship diagrams (Figure 2, Figures 3 and 4). Each diagram focuses on a major business function: rights management (Figure 2), content production (Figure 3), and content distribution (Figure 4). The entity-relationship diagram provides a structured representation of the key entities involved in each business function (such as objects, agents, activities, events, etc.) and the main relationships between these entities. Each diagram is accompanied by a table that defines the entities described in the diagram. The legal framework for intellectual property management described in Figure 2 is based on the analysis of four key documents: the Berne Convention, the Rome Convention, the WIPO Copyright Treaty, and the WIPO Performances and Phonograms Treaty. These documents reflect international agreements on intellectual property and are used as the basis for copyright and neighboring rights legislation in more than 140 countries around the world. Figure 2 focuses on the property that constitutes the legal framework for intellectual property management (i.e., works, performances, phonograms, broadcast signals, etc.) and its direct and indirect relationships with different objects, agents, activities, events, etc. Table 2 defines the entities that appear in Figure 2. Figure 3 centers on the products (i.e., publications, sound recordings, films, videos, etc.) throughout the content delivery production cycle and their direct and indirect relationships with various objects, agents, activities, and events. Table 3 defines the entities that appear in Figure 3. Figure 4 centers on the products throughout the content delivery distribution cycle and emphasizes the direct and indirect relationships between the products and various objects, agents, activities, and events. Table 4 defines the entities that appear in Figure 4. Although separate entity-relationship diagrams have been presented for each business function (rights management, production, and distribution), the three diagrams can be connected through the property, product, authorization, and use entities. Therefore, each diagram can be viewed as part of a larger diagram that represents the overall information architecture for content delivery and rights management.
准查询下裁网
建筑321---标准查询下载down.jz321.netGB/Z25101—2010/IS0/TR21449:2004Similarly, the diagrams describing the information architecture are directly related to the conceptual business architecture (Figure 1). Each agent entity (originator, owner, agent, competent authority, user, producer, creator, registration authority, issuer, regulatory service agency, certification authority, consumer) indicated in Figures 2, 3, and 4 corresponds to the business functions described in Figure 1. Figure 2 Legal framework for intellectual property management and protection GB/Z25101-2010/IS0/TR21449.2004 Figure 3 Production cycle of content delivery Standard query download down.jz321.net GB/Z25101—2010/ISO/TR21449:2004 Figure 4 Distribution cycle of content delivery2004 Conceptual Business Architecture - Responsibility Definition
Table 1 Gui
Original content
Rights holding
Customer/product registration
Content provision
Usage monitoring
Rights management
Consumer/publisher authentication
Content distribution
Content consumption
5 Information architecture
Creation, expression or production of intellectual or artistic content. Includes: the creation of content by writers, composers, artists (such as authors of literary, musical and artistic works, and film and video producers (such as authors of audiovisual works), the expression of content by performers, and the production of content by recording companies (such as producers of phonograms) and broadcasters (such as producers of broadcast signals).
One or more property ownership rights granted by law. Including the ownership of the first owner (author, producer, performer, etc.), the ownership of the legal trustee, assignee, successor. Registration of content, products or property. Including registration by authoritative institutions and agencies. These institutions are responsible for monographs and Registration of serials, literary, musical, artistic and audiovisual works, phonograms and broadcast signals
Production and publication of products. Including the production and publication of products by publishers, film producers, TV and frequency producers, multimedia producers, etc.
Monitoring of the distribution and use of products. Including monitoring the distribution of monographs and serials, phonograms, films, audiovisual works and multimedia works
Management of intellectual property rights by owners or their agents. Including direct management of rights by owners and authorities on behalf of agents, enforcers, publishers, film producers and collective management organizations, as well as by Management of rights by legally established boards and councils on behalf of the owners Certification or authentication of consumers or distributors of products, including authentication or authentication of distributors and consumers of monographs and serials, phonograms, films, videos and multimedia products Distribution of products, including distribution of publications, phonograms, films, videos and multimedia products Consumption of intellectual or artistic content. Including the use of monographs and serials, phonograms, films, videos and multimedia products by consumers through purchase, licensing, etc. The information architecture for content delivery and rights management is described by a set of three interconnected entity-relationship diagrams (Figure 2, Figures 3 and 4). Each diagram focuses on a major business function: rights management (Figure 2), content production (Figure 3), and content distribution (Figure 4). The entity-relationship diagram provides a structured representation of the key entities involved in each business function (such as objects, agents, activities, events, etc.) and the main relationships between these entities. Each diagram is accompanied by a table that defines the entities described in the diagram. The legal framework for intellectual property management described in Figure 2 is based on the analysis of four key documents: the Berne Convention, the Rome Convention, the WIPO Copyright Treaty, and the WIPO Performances and Phonograms Treaty. These documents reflect international agreements on intellectual property and are used as the basis for copyright and neighboring rights legislation in more than 140 countries around the world. Figure 2 focuses on the property that constitutes the legal framework for intellectual property management (i.e., works, performances, phonograms, broadcast signals, etc.) and its direct and indirect relationships with different objects, agents, activities, events, etc. Table 2 defines the entities that appear in Figure 2. Figure 3 centers on the products (i.e., publications, sound recordings, films, videos, etc.) throughout the content delivery production cycle and their direct and indirect relationships with various objects, agents, activities, and events. Table 3 defines the entities that appear in Figure 3. Figure 4 centers on the products throughout the content delivery distribution cycle and emphasizes the direct and indirect relationships between the products and various objects, agents, activities, and events. Table 4 defines the entities that appear in Figure 4. Although separate entity-relationship diagrams have been presented for each business function (rights management, production, and distribution), the three diagrams can be connected through the property, product, authorization, and use entities. Therefore, each diagram can be viewed as part of a larger diagram that represents the overall information architecture for content delivery and rights management.
准查询下裁网
建筑321---标准查询下载down.jz321.netGB/Z25101—2010/IS0/TR21449:2004Similarly, the diagrams describing the information architecture are directly related to the conceptual business architecture (Figure 1). Each agent entity (originator, owner, agent, competent authority, user, producer, creator, registration authority, issuer, regulatory service agency, certification authority, consumer) indicated in Figures 2, 3, and 4 corresponds to the business functions described in Figure 1. Figure 2 Legal framework for intellectual property management and protection GB/Z25101-2010/IS0/TR21449.2004 Figure 3 Production cycle of content delivery Standard query download down.jz321.net GB/Z25101—2010/ISO/TR21449:2004 Figure 4 Distribution cycle of content delivery
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